With The Postman’s Wife, Paolo May reinterprets one of the most iconic portraits by Vincent van Gogh, depicting Augustine Roulin, wife of the postman Joseph, a close friend of the artist. This 3D artwork uses mixed media on wood – clay, glazes and colors – to convey dignity and psychological depth. Not a reproduction, but a personal interpretation that transforms an icon of motherhood into a contemporary vision.
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In 1889, Vincent van Gogh created the portrait known as La Berceuse, meaning “lullaby” in French. The subject was Madame Augustine Roulin, wife of the postman Joseph Roulin, a close friend of the artist.
Van Gogh dedicated this work to the maternal figure as a symbol of comfort and serenity, capable of conveying calm and protection like a lullaby. It is considered one of the most powerful portraits of his Arles period.
In The Postman’s Wife, Paolo May reinterprets this universal theme through a three-dimensional language. The figure emerges in relief thanks to the use of clay, glazes and colors on wood, transforming the flatness of painting into a sculptural presence.
This work is not intended as a copy, but as a tribute and interpretation. May draws inspiration from the bond between Van Gogh and the Roulin family, bringing Augustine’s portrait into a contemporary dimension. In doing so, motherhood and inner strength become timeless themes, still able to resonate through a new artistic language.